Q. Was SALAD PIE the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. No, I wrote many things before SALAD PIE, and the first picture book manuscript I wrote and sent out was about the ubiquitous story line of a new sibling, so while I still think the manuscript is cute, it’s locked away in my files.
Q. What inspired SALAD PIE?
A. My creative and imaginative daughter, when she was two years old, going on three.
Q. How did you pick the title of your book?
A. This is one of those times when the title came first, and then the story. My daughter and I were at the park and she was playing pretend and said, “Salad Pie,” which I thought was so clever and creative that I repeated it in my head over and over all the way home. Then, during her rest time, I scribbled out the first draft of the story.
Q. What is your favorite part of the book? And was that part in the first draft?
A. Well, let me answer that creatively. In the first drafts, the ending was different. I had Herbert sitting down to enjoy Salad Pie with Maggie, and then he forgot to pretend to eat the pretend pie. He took a real bite of leaves and gum wrapper and crab apple, which I thought was quite funny and ironic (especially to adults). I agreed to change the ending for Ripple Grove Press, and I think it is a much better ending for this story, and it now highlights Maggie’s acceptance of Herbert and his ideas for their next playdate.
Q. How did you select the names for your characters?
A. The names Maggie and Herbert are right there in my first handwritten draft. They just seemed like the right names that fit the characters; my subconcious chose them.
Q. Why did you decide to tell the story in third person?
A. Third person allows the reader to see the actions of Maggie and Herbert and make their own judgements.
Q. How much of the story did you know when you began writing SALAD PIE?
A. The entire story came out in the first draft. After that, it took many readings and critique group meetings to make sure the story was saying what I thought it did. That’s always the trick of writing for me: to make sure I’m saying what I think I’m saying.
Q. Did SALAD PIE receive any rejection letters? If so, how many (ballpark)?
A. Yes, I had some rejections but the number is locked in a secret vault. ;)
Q. Describe your reaction when you received an offer on SALAD PIE.
A. Well, Ripple Grove Press had my manuscript for eight or nine months. I had politely nudged them twice at three-to-four month intervals to determine the status of SALAD PIE, and both times they asked for a little more time. Then I came back from a short vacation and heard the message on my home phone that they wanted to talk to me. I started getting excited, and sure enough, when I called back, Rob said they wanted to publish SALAD PIE. There were very few edits, mainly the ending, which he told me about before I signed the contract. Then we went over the manuscript a few more times, especially after the initial sketches were in, to make it perfect.
Q. What kind of input did you have in choosing an illustrator for the book?
A. They asked for input, so I sent some ideas of illustrator styles, but they chose the illustrator, Bryan Langdo.
Q. What jumped out at you when you saw the first sketches and jacket cover?
A. The first illustration I saw was a character sketch of Maggie with her curly hair (which I loved because I have very curly hair) and puddle jumper boots. I thought her fun-loving, inventive personality was captured perfectly. The cover shows Maggie overjoyed with her invention, and Herbert in the background. I’m very happy with it.
Q. How long did SALAD PIE take to be published—from the time you received an offer until it was printed?
A. Just under two years.The verbal offer was in June of 2014, the contract was signed eight days later, and SALAD PIE was released on March 1, 2016.
Q. Is there anything you would change in the book today if you could reprint it? (Was there a part that you really loved but had to edit out? Or did you think of something later that you wanted to add?)
A. I’ve read this book aloud in book stores, on Skype visits, in real classrooms, and I don’t have any words or punctuation I want to change. This is surprising, because I am a nitpick, but also a tribute to Ripple Grove Press’s process, which was very careful and not rushed.
Q. When you do readings of SALAD PIE which part of the book gets the best reaction?
A. Invariably, when Maggie and Salad Pie tumble down, down, down the slide…and I turn the page and—nope, I’m not going to tell you. You have to read the book! But at readings, I always get a reaction.
Q. What is your #1 tip to those who want to write picture books?
A. Spend lots of time thinking about the words you write, rereading them and making sure they really are the words that are telling the story in the best way possible.
Q. Do you have a favorite writing exercise that you can share?
A. There are many writing exercises that I love, but I think my favourite stems from people-watching. Sit on a bench somewhere and watch the people who pass. Ask questions about them. Where are they going? What job do they do? Once you see someone that sparks your imagination, gather in as many details as possible about that person and then write. Make up everything you don’t know, from where they live to what books they read. It doesn’t matter if that person leaves—maybe it’s even better—because now you are in the realm of fiction, using your imagination to springboard there.
Q. What are you working on now?
A. I am working on more picture books and a middle grade manuscript.
Q. Where can people find you? (Website, Twitter, Facebook, etc.)
Read about many other picture book authors and illustrators at On the Scene in 2016: https://onthescenein2016.wordpress.com/
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