Hannah Holt is an engineer and the granddaughter of H. Tracy Hall, the inventor of a revolutionary diamond-making machine. Using her grandfather’s personal writings and journals along with interviews of family members, Hannah created her #firstpicturebook. THE DIAMOND AND THE BOY is “a gem of a biography” and a “clever dual narrative [that] conveys both how diamonds form naturally underground and how inventor H.Tracy Hall discovered a way to make diamonds in a lab” (Booklist
, starred review).Q. Was THE DIAMOND AND THE BOY the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. No, THE DIAMOND AND THE BOY wasn't in the first dozen or so stories I wrote. I have an "Old and Dead" folder on my computer where most of these stories live. Usually their biggest offense was being boring and unoriginal. I can rewrite terrible prose. I can't rewrite a mediocre premise. Q. What inspired THE DIAMOND AND THE BOY?
A. My grandfather is "the boy" in this story. I grew up hearing stories about him as a child in my mother's arms.Q. How did you pick the title of your book?
A. Ha! I didn't. The marketing department did. I like the title, and I was consulted on the change. However, I didn't "pick it."
Q. Do you write by hand or on the computer?
Computer.Q. What is your favorite part of the book? And was that part in the first draft?
A. My favorite part of the book is Jay Fleck's illustrations, so no, those weren't in the first draft. I'm thrilled with all they add to the book.Q. What kind of resources did you use in your research for this nonfiction story?
A. I tried to use as many primary sources as possible, like Tracy's personal writings and journals. I also interviewed family members and consulted non-fiction books about Tracy and diamonds.Q. How did you decide on the timeframe of this nonfiction story?
A. Tracy had a very humble beginning to his life. I wanted to start in a place that showed that most acutely; hence, starting with him as a toddler living in a tent. On the diamond side, I started before graphite began to change. The stories follow parallel tracks but end at the same place.Q. What information do you include in the back matter?
A. I included a brief history of diamonds and their role in both science and geo-political conflicts. I also included a few more details about Tracy's life, two pictures of him, and a selected bibliography. With all this information, my end note ended up being longer than the text of the story. Q. Did THE DIAMOND AND THE BOY receive any rejection letters? If so, how many (ballpark)?
A. THE DIAMOND AND THE BOY was rejected nine times. It had two offers and one interested editor who wasn't able to respond within the time-frame called for making a decision. However, I had submitted many stories over the years and accrued more than 100 rejections before I received my first book contract.Q. Describe your reaction when you received an offer on THE DIAMOND AND THE BOY.
A. I was stunned. I had become so good at rejection that I almost didn't know what to do with success. That day, I mostly felt numb. However, the next day the tears of joy finally came.Q. What kind of input did you have in choosing an illustrator for the book?
A. The editor sent me four illustrators for consideration. Jay Fleck was by far my favorite and fortunately, he accepted the project. Hurrah!Q. What jumped out at you when you saw the first sketches and jacket cover?
A. When I first saw the cover, my heart just sang. The bold lines, the way the colors popped—I loved everything about it.Q. How long did THE DIAMOND AND THE BOY take to be published—from the time you received an offer until it was printed?
A. Two years.Q. Was there a part that you really loved but had to edit out? Or did you think of something later that you wanted to add?
A. Not really.Q. When you read THE DIAMOND AND THE BOY to kids, which part of the book gets the best reaction?
A. The "ERUPTION" page is fun. It's full of vibrant colors. It's a full spread and readers turn the book sideways for the full effect. Q. Did you create any book swag for THE DIAMOND AND THE BOY? If so, what kind?
A. I ordered diamond temporary tattoos and postcards. I'm also working on a teachers guide that I hope is finished and on my website before this post goes live. :)Q. What is your #1 tip for picture-book writers?
A. Study a little. Read a lot. Write the most. I guess that's technically three tips, but here's a fourth tip: break the rules!Q. Do you have a favorite writing exercise or marketing tip that you can share?
A. Be generous! Make friends with other writers, and try to give more than you receive.Q. What are you working on now?
A. I have a new non-fiction story in the works, but I can't talk about it yet.Q. Is there a public launch for the book (reading/part at bookstore, library, etc.)?
A. My launch party is Tuesday October 02, 2018 at 3:00 PM:
Barnes & Noble Tanasbourne
18300 NW Evergreen Pkwy
Beaverton, OR 97006
I'm also doing a story time October 25th at 3:30 at Green Bean Books in Portland and a story time at Powell's in the Spring. I'll post details about that on Twitter as it gets closer.Q. Where can people find you? (Website, Twitter, Instagram, etc.)
Twitter: @HannahWHoltIf you have read THE DIAMOND AND THE BOY, please consider writing a review:AmazonGoodReads Read More