#FirstPictureBook

I LOVE YOU FOR MILES AND MILES

January 8, 2018

Tags: I LOVE YOU FOR MILES AND MILES, Alison Goldberg, Mike Yamada, Farrar, Straus and Giroux, 2016

Happy 2018! Let’s start this year off with some love. Alison Goldberg’s #firstpicturebook “celebrates a love that’s longer than the longest train and stronger than the strongest excavator” (The Boston Globe) and “will appeal to kids who love vehicles of all sorts” (Kirkus Reviews). 
And a portion of book proceeds from I LOVE YOU FOR MILES AND MILES will support the Campaign to End Childhood Hunger (led by the Food Research and Action Center).
What could be more lovely than that?

Q. Was I LOVE YOU FOR MILES AND MILES the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
 A. I LOVE YOU FOR MILES AND MILES was the fifth or sixth picture book manuscript I wrote. The very first one I attempted is about a girl named Genevieve who lives in Iceland and has a very special bond with a glacier. That early story is buried on my computer, but is one of the seeds for the middle grade novel I’m working on right now.
 
Q. What inspired I LOVE YOU FOR MILES AND MILES?
 A. When my children were toddlers they adored trucks and trains. For my son, this love lasted for several years. We read many vehicle books and spent hours visiting construction sites, standing on bridges to watch trains go by, and sought out events like tractor parades. After a while, these vehicles captured my imagination.
 
The bedtime game, “How much do you love me?” turned into a comparison of the size, strength, and length of all things that go. After many nights of coming up with these examples for my own children—longer than the longest train, stronger than the strongest excavator, taller than the tallest crane--I thought this could be a fun take on a love book.
 
Q. How did you pick the title of your book?
 A. My original title was “Longer Than the Longest Train,” but since it is a love book my editor encouraged me to include the word “love” in the title. I remember a day of brainstorming titles with my neighbor while my kids jumped on her trampoline. We pulled “miles and miles” from the first stanza of the story which seemed to captured the breadth of these many vehicles.
 
Q. What is your favorite part of the book? And was that part in the first draft?
 A. Right now my favorite part is seeing the words come to life through Mike Yamada’s amazing illustrations!
 
Q. How did you decide between telling the story in first or third person?
 A. The story is written in first person to capture the intimacy of a parent, grandparent, or other caretaker expressing their love for a child.
 
Q. How much of the story did you know when you began writing I LOVE YOU FOR MILES AND MILES?
 A. When I look back at the very first version of this story, the superlative statements were always in there, as well as the sentiment, but the structure differed. It took awhile to figure out the best way to build the stanzas so they had a repeating structure and captured layers of meaning with few words.
 
Q. Did I LOVE YOU FOR MILES AND MILES receive any rejection letters? If so, how many (ballpark)?
 A. This story received about ten rejections and went through a bunch of revisions. This is the first picture book my agent and I submitted to editors. I’m so grateful for all of the editorial notes I received--I learned so much through the process! Ultimately, I LOVE YOU FOR MILES AND MILES found the perfect home with Janine O’Malley at Farrar, Straus and Giroux.
 
Q. Describe your reaction when you received an offer on I LOVE YOU FOR MILES AND MILES.
 A. I was at the playground with my children when my agent, Kathleen Rushall, called with the offer. At that exact moment my daughter got her finger stuck in a hole in a picnic table. I hung up the phone to help her. Thankfully, we got her finger out of the hole quickly and I was able to call Kathleen back to celebrate.
 
Q. What kind of input did you have in choosing an illustrator for the book?
 A. My editor shared Mike’s portfolio early on in the process. When I saw Mike’s dynamic and playful illustrations I was absolutely thrilled.
 
Q. What jumped out at you when you saw the first sketches and jacket cover?
 A. Mike creates such unique and exciting perspectives. The plane on the cover is flying toward the reader!
 
Q. How long did I LOVE YOU FOR MILES AND MILES take to be published—from the time you received an offer until it was printed?
 A. Two and a half years.
 
Q. What is your #1 tip to those who want to write picture books?
 A. Connect with other writers to share information, support each other through the highs and lows, and build a writing community.
 
Q. Do you have a favorite writing exercise that you can share?
 A. This is less a writing exercise and more about process. When I’m looking for inspiration I like to go on “writing walks.” I set out with an intention for a problem that I’m trying to solve away from the computer. As ideas come to me, I’ll stop and type notes into my phone.
 
Q. What are you working on now?
A. More picture books and a middle grade novel.
 
Q. Where can people find you? (Website, Twitter, Facebook, etc.)
A. I can be found online at www.alisongoldberg.com and on Twitter @alisongoldberg.
Book trailer: http://alisongoldberg.com/books/i-love-you-for-miles-and-miles/
I also blog about activism in children’s literature at M is for Movement: https://misformovement.org

GREEN GREEN: A COMMUNITY GARDENING STORY

July 17, 2017

Tags: GREEN GREEN: A COMMUNITY GARDENING STORY, Marie Lamba, Baldev Lamba, Sonia Sanchez, Farrar, Straus and Giroux, 2017

YA author and literary agent Marie Lamba wrote her first picture-book manuscript 30 years ago but it wasn't until this past May that a different manuscript became her #firstpicturebook. Today she tells us all about GREEN GREEN: A COMMUNITY GARDENING STORY—“an attractive read-aloud for beginning lessons on gardening” (School Library Journal) that she co-wrote with her husband, landscape architect Baldev Lamba.

Q. Was GREEN GREEN the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. The very first picture book manuscript I wrote was a monstrosity call MONKEY FEET AND PEANUT BUTTER SANDWICHES. That was about 30 years ago. Actually it wasn't horrible, but it wasn't a picture book either. More of a schtick -- you know, a quirky idea that didn't really go anywhere.  I subbed it around and was rejected widely.

Q. What inspired GREEN GREEN?
A. My husband and co-author Baldev Lamba is a landscape architect.  Years ago, we were walking in a harsh urban area, and he pointed to some weeds and wild flowers springing up through cracks in the cement. And he said something along the lines of, "See that? Nature is always there just waiting to come back." That stuck with me for a long time, and became the inspiration for our book.
 
Q. How did you pick the title of your book?
A. GREEN GREEN is a phrase used throughout the story. The subtitle: A COMMUNITY GARDENING STORY was added by the people at Macmillan to give it a solid hook for book buyers interested in this type of gardening.
 
Q. Do you write by hand or on the computer?
A. For this book, I wrote long-hand in a notebook that I always keep on my bedside. It may or may not have been written around 4 a.m. or so!

Q. What is your favorite part of the book? And was that part in the first draft?
A. I love the way the land changes throughout the story, becoming a character in a way. And that was always there in the book.

Q. Why did you decide to write the story in rhyme? Did you write a version in prose?
A. Actually the book is part rhyme and part prose, and the hope was that this made it a read that would flow and feel lyrical without feeling forced. Repetition plays its part in the story because I really wanted to show how in every stage, the land was changed in a similar way.  Digging made a small garden grow. Digging (with machinery) made a large city grow. And digging with the help of the community, brought a green space back to the city.  

Q. How much of the story did you know when you began writing GREEN GREEN? 
A. I have to admit, I just started writing, and the story grew and grew!

Q. Did GREEN GREEN receive any rejection letters? If so, how many (ballpark)?
A. While my first book (the MONKEY FEET one) garnered quite a huge slew of rejections, GREEN GREEN was picked up right away by an editor who happened to love community gardening.

Q. Describe your reaction when you received an offer on GREEN GREEN.
A. It was a serious thrill!  And, while I have published several YA novels, this is my first picture book -- which makes it very special. And it is the first book my husband has ever had published -- so he was very kid in the candy store.

Q. What was it like working with your husband who is your co-author?
A. Over the years, Baldev and I have co-authored a number of garden-related articles for magazines including Garden Design, Your Home and Gardens & Landscapes. But this was an entirely different realm for us as a team. He trusted my ear when it came to the language throughout the book. I trusted his experience when it came to pulling together the back matter, which points to ways kids can be GREEN GREEN and can help threatened Monarch butterflies and honeybees.  Baldev was especially helpful in pointing out things that could be in the abandoned urban lot, or that needed to be present in the garden. He's actually worked with a number of community groups in Philadelphia to create community gardens, so he really knows his stuff.

Q. What kind of input did you have in choosing an illustrator for the book?
A. Sonia Sanchez is SUCH A TALENT!  Our original editor, Susan Dobinick, had her in mind, and once we saw her portfolio, we just knew this was the perfect illustrator for this project. Susan did let us weigh in on if we felt Sonia was a good fit -- but I believe that writers don't always have this opportunity.  After Susan went to work elsewhere, editor Grace Kendall took the helm, and we worked closely with Grace when we saw the first pass of illustrations from Sonia, to make sure that needed factual details were in place. But all other details were up to Sonia to interpret. 

Q. What jumped out at you when you saw the first sketches and jacket cover?
A. The diversity of the children in every page. As parents of biracial children ourselves, we couldn't be more thrilled about this!

Q. How long did GREEN GREEN take to be published—from the time you received an offer until it was printed?
A. The offer came in June 2014, and the book came out May 2017.  Yup, three years.

Q. Was there a part that you really loved but had to edit out? Or did you think of something later that you wanted to add?
A. GREEN GREEN was an unusual manuscript for me. It just flowed.  The editor asked us to add a bit more to the city building and the community garden building scenes, so a few more stanzas were written for that, but essentially it's not very different from its first draft.

Q. What is your #1 tip to those who want to write picture books?
A. Keep a notebook on hand at all times!  You never know when those essential truths will flow out. For me, my biggest ideas manifest themselves in the early morning, or on long walks.  If I don't catch them on paper, they sometimes fade like a wisp of smoke.

Q. Do you have a favorite writing exercise or marketing tip that you can share?
A. Support all of your local bookstores. Buy books there. Ask for advice about reads. Steer others to these stores. Buy books there as gifts, or purchase gift certificates. And support your library. Someday they will support you by stocking your books and hosting your events. More importantly, though, a vibrant network of bookstores and libraries means a sure way to grow readers. It's all about being a part of that community and making sure that community thrives.

Q. What are you working on now?
A. I just finished a magazine article for Writer's Digest, co-authored with my daughter, Cari Lamba, who is the newest agent at The Jennifer De Chiara Literary Agency (where I am an agent). Also, my next picture book, working title A DAY SO GRAY, has been picked up by Clarion, and I'm excited to see what illustrator is selected for that one. Other than that, I have a number of picture book ideas and a middle grade stewing away. I'm hoping to find some time to work on these over the summer.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
A:
Website: marielamba.com
Twitter: @marielamba
Facebook: Marie Lamba, Author
Agent at Jennifer De Chiara Literary Agency: jdlit.com
Goodreads author page, too

Thanks so much for having me here, Karlin!