#FirstPictureBook

Spring back for inspiration

April 2, 2018

Tags: #firstpicturebook, Baptiste Paul, Marie Lamba, Gaia Cornwall, Curtis Manley, Wendy BooydeGraaff, Christin Lozano, Megan Wagner Lloyd, Shennen Bersani, Ammi-Joan Paquette, Linda Vander Heyden

Today is April 2nd and it’s snowing here in Connecticut! So I’m going to look back at some #firstpicturebooks that promise warmer weather and inspire me to keep writing . . . instead of hiding under the covers like my dog Ellie. Click on each book title to read the complete #firstpicturebook Q&A:

FINDING WILD:
“I've always loved spending time outside. When I was young I think I took this connection to the natural world for granted. I didn't realize that you really have to hang onto that, or the busyness of life will take over. With my own kids I've tried to encourage outdoor play and a sense of wonder for nature, in both big and little ways. I think all of this was in the back of my mind as I wrote FINDING WILD. I wanted to celebrate nature and the special connection kids--and, really, all of us--can experience when we take the time to notice the beauty and wild all around us.”

ISLAND TOES:
“One of my favorite parts of the book is the surfing spread where it shows a girl surfing. Not only is it wonderful to showcase girls in sports, but this young girl is clearly experienced enough to be able to surf “toes-on-the-nose” style. I remember this phrase coming to mind after I had been working on the manuscript for quite a while.”

TIP TOE GUIDE TO TRACKING FAIRIES:
“It was inspired by a nature walk I took with my daughters, who were then 6 and 8. They were not especially keen on walks at that time, so we decided that, to liven things up, we would take a stroll through our local nature preserve while being on the lookout for spots where fairies might be hiding. From there the story took on a life of its own - and the result is as you see it!”

MR. MCGINTY’S MONARCHES:
“One day, while walking my dogs, I found the milkweed along the side of our quiet road had been mowed. Milkweed is vital to monarch survival. Monarch caterpillars were clinging to the drying plants. Seeing this was upsetting. The monarchs are in trouble, and I wanted to share their story.”

SALAD PIE:
“My daughter and I were at the park and she was playing pretend and said, “Salad Pie,” which I thought was so clever and creative that I repeated it in my head over and over all the way home. Then, during her rest time, I scribbled out the first draft of the story.”

THE SUMMER NICK TAUGHT HIS CATS TO READ:
“I was remembering when my daughter began reading middle-grade novels. She sank so deep into those books that she was in another world.... So that’s what the first version of the story was about—a boy whose best friend (his cat) gets lost in books. Gradually the story changed so that the boy teaches the cat to read. And then two cats were being taught, but reading didn’t come equally easily to both...”

JABARI JUMPS:
“I've always loved to swim and remember clearly learning to jump off the diving board. I try to write stories about moments that are relatable to kids and that one stuck out for me.”

GREEN GREEN:
“My husband and co-author Baldev Lamba is a landscape architect.  Years ago, we were walking in a harsh urban area, and he pointed to some weeds and wild flowers springing up through cracks in the cement. And he said something along the lines of, "See that? Nature is always there just waiting to come back." That stuck with me for a long time, and became the inspiration for our book.”

THE FIELD:
“The idea for the story came while playing outside in the rain with my children. They were so happy running in rain, splashing in pools of water and rolling in the dirt.”

ACHOO!:
“I spent three months researching daily everything I could about pollen, forest animals, black bears. I dug up every creature that eats pollen, wrote to vetters to double check the science. I hiked through a few national parks and pine forests, visited live bears in New Hampshire, observed a large honeybee hive at the Boston Museum of Science, and constantly researched bees pollinating flowers everywhere I could. I also contacted beekeepers, and went to multiple butterfly conservatories.”

JABARI JUMPS

May 9, 2017

Tags: JABARI JUMPS, Gaia Cornwall, Candlewick, 2017

Illustrator Gaia Cornwall's work has been featured online, in interactive games, in films, as murals, and in various forms of print. But today is her book birthday! Let's celebrate with the #firstpicturebook Q&A of JABARI JUMPS—"A terrific seasonal storytime read-aloud that’s perfect for one-on-one sharing." (Starred review, School Library Journal)

Q. Was JABARI JUMPS the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. Ah no! I've written tons and tons of picture book manuscripts. I don't remember which was the first one exactly. Though I just re-worked and submitted a book idea that originally I had written and illustrated almost ten years ago. It never felt quite right, so I put it aside. I really like this version of it!

Q. What inspired JABARI JUMPS?
A. Originally, I started writing when African-American Olympic medalist swimmer Cullen Jones was winning tons of medals and awards. He's really amazing and now works with a swimming initiative "Make a Splash", that teaches kids how to swim. But personally, I've always loved to swim and remember clearly learning to jump off the diving board. I try to write stories about moments that are relatable to kids and that one stuck out for me.

Q. How did you pick the title of your book?
Once I had the name of my character-- Jabari-- adding "Jumps" seemed like a natural fit as that's the book in a nutshell. I feel like naming books is usually trickier, but in this case it came pretty easy.

Q. Do you write by hand or on the computer?
A. Hmm. Well I tend to gather ideas mostly in a notebook-- a sketch, or a phrase I like. I've also started using my phone for this. But then I do a lot of typing on the computer. And then more scribbling. I guess I go back and forth a lot!

Q. What is your favorite part of the book? And was that part in the first draft?
A. My favorite part is when he looks out on the city and whispers that he likes surprises. Technically, it wasn't in the first draft of the book-- though that was a very different book. Once I overhauled that and created the version that became this book, it was in the first draft of that for sure.

Q. How did you select the names for your characters?
A. The only character that's named is Jabari. I'm not totally sure where I first heard it. But it means "brave" in Swahili, so it seemed perfect for him.

Q. Why did you decide to tell the story in third person?
A. I did versions of it in first person and in the end I liked the rhythm of how it sounded out loud in third person. But also it let the dad be a character in his own right as opposed to seeing him through Jabari's eyes-- as you would in first person. I think this way, adults will find him relatable, just like the kids will see themselves in Jabari.

Q. How much of the story did you know when you began writing JABARI JUMPS?
A. The first versions were very simple--basically a visual gag of a kid putting on more and more gear before he jumped off the diving board. I still think that idea is funny, but I'm happy it developed into something more than that.

Q. Did you write the story first, then illustrate it? Or did the images appear before the words?
A. I think in this case, I mostly wrote it first. Though it started with the basic image of a boy on the diving board. This is actually hard for me to answer--I think visually too, so even if I'm not actually drawing first, the images are there. If that makes sense.

Q. Did JABARI JUMPS receive any rejection letters? If so, how many (ballpark)?
A. I think eight. --Which is not a lot by any means! But honestly, that's because it took me literally years to submit it and I had some good contacts when I finally did. I just checked and I had drafts of this in 2010. Which is ridiculous. Don't do that.

Q. Describe your reaction when you received an offer on JABARI JUMPS.
A. I was nursing my son who was a baby at the time. I burst into tears and then the laughing started. So lots of tearful laughter.

Q. How long did JABARI JUMPS take to be published—from the time you received an offer until it was printed?
A. I signed a contract in 2014 and originally it was slated to come out in June 2016. It got pushed back to May 2017, which at the time was disappointing, but in reality worked perfectly as I ended up having another baby in the Spring of 2016. So a human baby last year and a book baby this year. One baby at a time!

Q. Was there a part that you really loved but had to edit out? Or did you think of something later that you wanted to add?
A. One version compared how Jabari was feeling to different animals. In the end, I took them all out because it kind of diluted the story. It was a good call, but its always sad to take animals out-- they're so fun to draw!

Q. What is your #1 tip to those who want to write picture books?
A. Hmm I have two:
1. READ. Read, read, read all the picture books you can get your hands on. Old ones are great, but if you want to submit your work to traditional publishers, you should be reading current books. Someone once said you should read 100 books in whatever genre you want to write in. So at least that many for picture books!

2. And find a critique group to show your work to. This is not easy to do--you have to trust them, value their judgement and you know, they have to be able to critique your work--not just tell you it's great. But don't give up! It doesn't matter if its online or in person, once you find them, those people are so invaluable.
My group offers great technical notes and ideas, are amazing cheerleaders, and also hold me accountable to my personal writing goals. I sincerely would not be where I am today without them.

Q. Do you have a favorite writing exercise or marketing tip that you can share?
A. Join SCBWI and then take advantage of the smaller workshops and conferences. Personally, I've gotten way more out of weekend writing workshops and state/regional conferences. People tend to just get excited about the national conferences, but for me the smaller events are where its at.

Q. What are you working on now?
A. I'm finishing up a first draft of a middle grade novel, working on a few different picture book manuscripts and kicking around a YA idea.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
A. You can find me at www.GaiaCornwall.com
https://www.instagram.com/gaiacornwall/
https://twitter.com/GaiaCC
https://www.facebook.com/GaiaIllustration/
Thanks for having me!