#FirstPictureBook

Spring back for inspiration

April 2, 2018

Tags: #firstpicturebook, Baptiste Paul, Marie Lamba, Gaia Cornwall, Curtis Manley, Wendy BooydeGraaff, Christin Lozano, Megan Wagner Lloyd, Shennen Bersani, Ammi-Joan Paquette, Linda Vander Heyden

Today is April 2nd and it’s snowing here in Connecticut! So I’m going to look back at some #firstpicturebooks that promise warmer weather and inspire me to keep writing . . . instead of hiding under the covers like my dog Ellie. Click on each book title to read the complete #firstpicturebook Q&A:

FINDING WILD:
“I've always loved spending time outside. When I was young I think I took this connection to the natural world for granted. I didn't realize that you really have to hang onto that, or the busyness of life will take over. With my own kids I've tried to encourage outdoor play and a sense of wonder for nature, in both big and little ways. I think all of this was in the back of my mind as I wrote FINDING WILD. I wanted to celebrate nature and the special connection kids--and, really, all of us--can experience when we take the time to notice the beauty and wild all around us.”

ISLAND TOES:
“One of my favorite parts of the book is the surfing spread where it shows a girl surfing. Not only is it wonderful to showcase girls in sports, but this young girl is clearly experienced enough to be able to surf “toes-on-the-nose” style. I remember this phrase coming to mind after I had been working on the manuscript for quite a while.”

TIP TOE GUIDE TO TRACKING FAIRIES:
“It was inspired by a nature walk I took with my daughters, who were then 6 and 8. They were not especially keen on walks at that time, so we decided that, to liven things up, we would take a stroll through our local nature preserve while being on the lookout for spots where fairies might be hiding. From there the story took on a life of its own - and the result is as you see it!”

MR. MCGINTY’S MONARCHES:
“One day, while walking my dogs, I found the milkweed along the side of our quiet road had been mowed. Milkweed is vital to monarch survival. Monarch caterpillars were clinging to the drying plants. Seeing this was upsetting. The monarchs are in trouble, and I wanted to share their story.”

SALAD PIE:
“My daughter and I were at the park and she was playing pretend and said, “Salad Pie,” which I thought was so clever and creative that I repeated it in my head over and over all the way home. Then, during her rest time, I scribbled out the first draft of the story.”

THE SUMMER NICK TAUGHT HIS CATS TO READ:
“I was remembering when my daughter began reading middle-grade novels. She sank so deep into those books that she was in another world.... So that’s what the first version of the story was about—a boy whose best friend (his cat) gets lost in books. Gradually the story changed so that the boy teaches the cat to read. And then two cats were being taught, but reading didn’t come equally easily to both...”

JABARI JUMPS:
“I've always loved to swim and remember clearly learning to jump off the diving board. I try to write stories about moments that are relatable to kids and that one stuck out for me.”

GREEN GREEN:
“My husband and co-author Baldev Lamba is a landscape architect.  Years ago, we were walking in a harsh urban area, and he pointed to some weeds and wild flowers springing up through cracks in the cement. And he said something along the lines of, "See that? Nature is always there just waiting to come back." That stuck with me for a long time, and became the inspiration for our book.”

THE FIELD:
“The idea for the story came while playing outside in the rain with my children. They were so happy running in rain, splashing in pools of water and rolling in the dirt.”

ACHOO!:
“I spent three months researching daily everything I could about pollen, forest animals, black bears. I dug up every creature that eats pollen, wrote to vetters to double check the science. I hiked through a few national parks and pine forests, visited live bears in New Hampshire, observed a large honeybee hive at the Boston Museum of Science, and constantly researched bees pollinating flowers everywhere I could. I also contacted beekeepers, and went to multiple butterfly conservatories.”

10 Writers Talk Titles

May 15, 2017

Tags: Maryann Cocca-Leffler, Susan Montanari, Maria Gianferrari, Emma Bland Smith, Karlin Gray, Heather Lang, Ammi-Joan Paquette, Jodi McKay, Wendy BooydeGraaff, Cheryl Keely

How did you pick the title for your #firstpicturebook? Ten writers answer this question below. Click on the quote to flash back to the original Q&A.

Maryann Cocca-Leffler: There was an old ad for Prince Pasta on TV …Wednesday is Prince Spaghetti Day…which was catchy. I wrote to the Prince Pasta Company to make sure there was no problem using my title. It was Okayed and the title stuck.

Susan Montanari: In the dream the woman said, “That’s not a dog it’s a chicken.”

Maria Gianferrari: The original title of the book was PENELOPE, UNTALENTED. However, because I received a two-book deal, we needed a title that could carry to the second book, so Penny & Jelly was born!

Emma Bland Smith: JOURNEY is the name that a child (actually two children in different states) submitted in a naming contest sponsored by a conservation organization, Oregon Wild. (The full name of the book is JOURNEY: Based on the True Story of OR7, the Most Famous Wolf in the West.) I love the name because it evokes the wolf’s adventurous spirit.

Karlin Gray: In reading Nadia Comaneci's autobiography, I learned that she was a rambunctious toddler who had tons of energy.... While I was writing my book, I also had a three-year old who loved to fling himself from couch to couch. Constant movement was a theme on the page and in my own living room. The two collided and created NADIA: THE GIRL WHO COULDN'T SIT STILL.

Heather Lang: “Queen of the Track,” was one of Alice’s nicknames. Although she wasn’t treated like a queen by society, she behaved like one and really did dominate the track for a number of years in sprinting events and the high jump. The title also worked nicely with the ending—the King presents Alice (“the Queen”) with her gold medal.

Ammi-Joan Paquette: Originally the book was called simply TRACKING FAIRIES. However, my editor felt this could invoke a harsher feel: ‘tracking’ in the sense of ‘hunting’ (poor fairies!). My writer friend Natalie Lorenzi suggested the “Tiptoe Guide” portion, which I think did a brilliant job of softening and tying the whole title together. I love the result!

Jodi McKay: I honestly didn’t think that this would remain the title. It’s just what I kept asking myself for so long and still do for that matter. Even now, as I write the answers to these questions, I’m going back and forth looking for the right words. It’s crazy, but it’s part of my process.

Wendy BooydeGraaff: This is one of those times when the title came first, and then the story. My daughter and I were at the park and she was playing pretend and said, “Salad Pie,” which I thought was so clever and creative that I repeated it in my head over and over all the way home. Then, during her rest time, I scribbled out the first draft of the story.

Cheryl Keely: The original title was Here to There and Me to You. I liked the thought of bridges making connections and bringing people together. I really liked the line in the book containing those words. It seemed to me to sum up the best connection of all – me to you and you to me. A Book of Bridges was added later to make it clear that the book was about bridges. It helps to let readers to know what a book is about!

10 Tips on Writing Picture Books

March 27, 2017

Tags: Shana Keller, Ammi-Joan Paquette, Linda Vander Hayden, Lori Alexander, Jodi McKay, Lori Richmond, Annie Silvestro, Wendy BooydeGraaf, Cheryl Keely, Susan Farrington

Shana Keller: Find a topic you love or a person you love and go with it.

Ammi-Joan Paquette: Read as many picture books as you can, especially ones which are debuts and newly released. Familiarizing yourself with what’s out there and what’s selling now is a really valuable tool to crafting your own masterpieces!

Linda Vander Hayden: I try to use active verbs and make sure I’m showing (not telling) how my characters are feeling. I’ve also learned to remember to leave room for an illustrator to work his or her magic.

Lori Alexander: Try alternating the POV of your work-in-progress. You may like what the change does for your story.

Jodi McKay: I am a big advocate for a good story arc and I try to make sure that I hit all of the elements of the arc by asking myself this: Who, Wants, But, So, Then, Sign off.

Lori Richmond: Ask yourself why you like certain books. Analyze how the book is paced. How is the conflict introduced? How is it resolved?

Annie Silvestro: My favorite and most necessary exercise is reading a story out loud so I can really hear the areas that are working and the ones that are not.

Wendy BooydeGraaff: Sit on a bench somewhere and watch the people who pass. Ask questions about them. Where are they going? What job do they do? Once you see someone that sparks your imagination, gather in as many details as possible about that person and then write.

Cheryl Keely: I set a timer (usually 15 minutes) and write whatever comes out in that time.

Susan Farrington: Start with a rough outline of your story, lay it out as it would read over 32 pages. Play with the rhythm until the flow feels right.

THE TIPTOE GUIDE TO TRACKING FAIRIES

November 14, 2016

Tags: THE TIPTOE GUIDE TO TRACKING FAIRIES, Ammi-Joan Paquette, Christa Unzner, Tanglewood Books, 2009

Ammi-Joan Paquette is an agent, mother, traveler, chocolate connoisseur, and a writer of picture books and chapter books, including the PRINCESS JUNIPER series. But today she takes some time to look back at her very first picture book, THE TIPTOE GUIDE TO TRACKING FAIRIES where "kids will enjoy spotting the fantastical creatures hiding here and there amongst the flora and fauna of the outdoor settings” (Booklist).

Q. Was THE TIPTOE GUIDE TO TRACKING FAIRIES the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A: It’s definitely not the first manuscript I wrote - I’ve always been working on many different projects at once. This first dates back I think to 2005, so I’ve got no idea what other manuscripts were in the works back then. But I do know they were many, and generally in poor shape. ;)

Q. What inspired THE TIPTOE GUIDE TO TRACKING FAIRIES?
A: It was inspired by a nature walk I took with my daughters, who were then 6 and 8. They were not especially keen on walks at that time, so we decided that, to liven things up, we would take a stroll through our local nature preserve while being on the lookout for spots where fairies might be hiding. From there the story took on a life of its own - and the result is as you see it!

Q. How did you pick the title of your book?
A: Originally the book was called simply TRACKING FAIRIES. However, my editor felt this could invoke a harsher feel: ‘tracking’ in the sense of ‘hunting’ (poor fairies!). My writer friend Natalie Lorenzi suggested the “Tiptoe Guide” portion, which I think did a brilliant job of softening and tying the whole title together. I love the result!

Q. What is your favorite part of the book? And was that part in the first draft?
A: I think my favorite is probably the final page-turn spread revealing the fairies at the end. And interestingly, this was NOT in the original draft! My first incarnations were all very true to life, whereby the fairies were not found this time, but we had so much fun looking for them and will return again another time. The idea being that the readers could see the fairies, even though the kids didn’t. But my editor wisely said that we needed that satisfying payoff where the kids DO find their fairies - and I’m so glad she did.

Q. How long did THE TIPTOE GUIDE TO TRACKING FAIRIES take to be published—from the time you received an offer until it was printed?
A: First started writing it in 2005. It sold in 2007, and was published in 2009.

Q. Is there anything you would change in the book today if you could reprint it? (Was there a part that you really loved but had to edit out? Or did you think of something later that you wanted to add?)
A: I confess that there is a word repetition on the first page that makes me wilt each time I see it ;)

Q. What is your #1 tip to those who want to write picture books?
A: Read as many picture books as you can, especially ones which are debuts and newly released. Familiarizing yourself with what’s out there and what’s selling now is a really valuable tool to crafting your own masterpieces!

To learn more about Ammi-Joan Paquette, visit her website.