Since I am new to the picture-book world, I wanted to learn from other writers. What inspired their stories? How did they go about crafting their first book? What did they do when they finally received that offer? These authors have been kind enough to share their experiences and tips in this Q&A. This week's writer is KRISTEN FULTON.


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LONG MAY SHE WAVE

March 20, 2017

Tags: Long May She Wave: The True Story of Caroline Pickersgill and Her Star-Spangled Creation, Kristen Fulton, Holly Berry, Margaret K. McElderry Books, May 2, 2017

Kristen Fulton began writing children's books in 2013 and a year later she had sold three manuscripts! Today she shares the story behind her #firstpicturebook LONG MAY SHE WAVE—“A strong look at women who up took up needle and thread to inspire a town, a man, and ultimately a nation” (Booklist).

Q. Was LONG MAY SHE WAVE the first picture-book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. No, actually is was the third that I sold. Of course I had written a few that didn’t sell. My two that sold before Long May She Wave were with Chronicle and Simon and Schuster. Chronicle had a vision and kept me a close part of the publishing process. The “ideal” illustrator was booked out so we decided to wait for him. It was worth it in the end. The other story with Simon and Schuster (same as Long May She Wave) was moved to 2018 instead as it needed a little more fine editing work.

Q. What inspired LONG MAY SHE WAVE?
A. My husband and I travel about six months a year in our RV, aka Chalet Fulton. On one of our many travels we stopped in Washington DC and saw the Star Spangled Banner. We decided to head over to Baltimore and tour the Flag House (where the flag was made). Piece by piece the story was revealed and I knew that I wanted to sew this one together. So, we set up camp for two weeks and I went into serious research mode.

Q. How did you pick the title of your book?
A. This was an easy one since it is based on the Flag.

Q. What is your favorite part of the book? And was that part in the first draft?
A. My favorite part is in the final and has been there since draft one. It is where I took words from the "Star Spangled Banner" and wove it into the story so readers could see them used in context.

Q. What kind of resources did you use in your research for LONG MAY SHE WAVE?
A. I visited the home. Pulled property records and censuses. I visited the Smithsonian. Spoke to several historians. I visited Ft. McHenry. Got primary resources from daily papers about the British marching to Washington and then on to Boston. I also got a letter from Caroline Pickergil’s daughter.

Q. How did you decide on where to start and end this nonfiction story?
A. I knew that this was going to be about one small part of history, not a biography, but about an event. So it was easy. I decided to start it and end it with the event.

Q. Did LONG MAY SHE WAVE receive any rejection letters? If so, how many (ballpark)?
A. No, except from my agent :-) She wasn’t crazy about it but Justin Chanda from Simon and Schuster had just contacted her to see all of my work so she included it and voila!

Q. Describe your reaction when you received an offer on LONG MAY SHE WAVE.
A. Vindicated? I have heard over and over that I haven’t paid my dues. I am still fairly new to writing. I began my writing career in January 2013. Even the head of my regional SCBWI felt that people would not give me credit as a writer since I haven’t “paid my dues.” Selling a third story on my one-year anniversary validated this career choice for me. I work at least 40 hours a week writing, attend two to four conferences and retreats, and participate in about two classes per year.

Q. What kind of input did you have in choosing an illustrator for the book?
A. I had none on this book. Although once the illustrations were done, they did listen to my opinion about historically inaccurate items.

Q. What jumped out at you when you saw the first sketches and jacket cover?
A. OMG—That is my book!!! I think the best moment was being told it was available for preorder on Amazon. I was surrounded by friends and they got to tell me. I was happy, cried, and an emotional wreck all at once.

Q. How long did LONG MAY SHE WAVE take to be published—from the time you received an offer until it was printed?
A. I sold the book in January 2014. 3 years and 4 months.

Q. What is your #1 tip to those who want to write picture books?
A. Think like a kid. Ask yourself, “What will a kid find interesting?” NOT, WHAT DO YOU THINK THEY WILL FIND INTERESTING.

Q. Do you have a favorite writing exercise that you can share?
A. I created a compass that I fill out. It is available for download on my website at http://www.kristenfulton.org/uploads/1/8/4/4/18447485/website_compass.pdf.

Q. What are you working on now?
A. I am working on a few I CAN READ series books for Harper, a series for Charlesbridge, and an adult novel.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
Twitter: @KristenFulton
Facebook: https://www.facebook.com/kristenfulton.net/?fref=ts
www.kristenfulton.com

CHARLOTTE THE SCIENTIST IS SQUISHED

March 6, 2017

Tags: CHARLOTTE THE SCIENTIST IS SQUISHED, Camille Andros, Brianne Farley, Clarion Books, March 14, 2017

E.M.T. Camille Andros is the oldest of seven kids, has six children of her own, and loves science. So it makes perfect sense that her #firstpicturebook would be CHARLOTTE THE SCIENTIST IS SQUISHED. But exactly how did she craft a book with "loads of charm methodically delivered" (Kirkus Reviews)? Read on to find out . . .

Q. Was CHARLOTTE THE SCIENTIST IS SQUISHED the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. No, Charlotte wasn't the first book I wrote. The first serious try at a PB manuscript is a book called THE DRESS AND THE GIRL that sold to ABRAMS about six months after Charlotte sold. It will be out in the Fall of 2018.

Q. What inspired CHARLOTTE THE SCIENTIST IS SQUISHED?
A. There were several inspirations for Charlotte. My husband comes from a very large family of ten children. All of those ten now have children of their own totaling over 65 grandkids. I am the oldest of seven kids and I have six children of my own, so there is always lots going on and sometimes we all feel the need to have our own space.

I also love science and want kids, especially girls, to know that science is awesome and it's ok to love it too.

Q. How did you pick the title of your book?
A. It came to me while I was in the shower--like all good ideas I have;)

Q. What is your favorite part of the book? And was that part in the first draft?
A. My favorite spread doesn't even have any words-it's the spread where Charlotte lands in outer space and is so thrilled to finally have her very own space. Having Charlotte go to space was always in the manuscript, but she wasn't Charlotte in the first draft. She was Seymour.

Q. How did you decide between telling the story in first or third person?
A. I wrote the book like I was telling the story to my own kids. First person wouldn't have made sense doing that.

Q. How much of the story did you know when you began writing CHARLOTTE THE SCIENTIST IS SQUISHED?
A. I wrote the first draft in one sitting and it was only 76 words. It evolved quite a bit from that first draft and, after a great SCBWI critique at a conference, the rest of Charlotte came to me pretty quickly. There were still lots of drafts ahead but it was mostly cleaning up the manuscript and making the story more focused.

Q. Did CHARLOTTE THE SCIENTIST IS SQUISHED receive any rejection letters? If so, how many (ballpark)?
A. Yes! Of course! Probably around two dozen or so from agents and then editors. But I wasn't really shopping Charlotte around as much as I was THE DRESS AND THE GIRL which was the first book I wrote and was more focused on initially.
That book got lots and lots of rejections, but each personalized rejection (they weren't all like that of course) and the feedback that came with it was so helpful in improving each manuscript.

Q. Describe your reaction when you received an offer on CHARLOTTE THE SCIENTIST IS SQUISHED.
A. I had just left the dentist when my agent called to tell me we had an offer on Charlotte--it was super exciting and I couldn't believe it was happening. Then I was even more surprised when we received three more offers on top of that first one. It sounds so cliche to say I was beyond thrilled to get that kind of response for my first book. The day my agent called with all of the final offers and asked if I was "sitting down" was kind of an out-of-body experience. I loved reading the stories of authors getting their first book deals or signing with an agent and now it was happening to me. It was very surreal.

Q. What kind of input did you have in choosing an illustrator for the book?
A. In an unusual turn of events my agent and I discussed pairing my manuscript with one of the RLM (Rodeen Literary Management-the agency that represents me) illustrators since I was new. Brianne Farley's style was perfect for Charlotte and I absolutely love what she has done to bring her to life. So lucky for me I kind of got to choose which doesn't happen very often:)

Q. What jumped out at you when you saw the first sketches and jacket cover?
A. That favorite spread I mentioned above really jumped out at me. I love the look of pure joy on Charlotte's face.

I didn't get to see the jacket cover until much later and it went through many different versions so I saw some a few before the final cover selected and loved them all. It's just so much fun to see a character that lives in your head come to life on the page.

Q. How long did CHARLOTTE THE SCIENTIST IS SQUISHED take to be published—from the time you received an offer until it was printed?
A. The offer for Charlotte was finalized in June of 2015. Charlotte will be out in the world on March 14, 2017, so just a couple months shy of two years.

Q. What is your #1 tip to those who want to write picture books?
A. Don't give up. The authors who are published are the ones who didn't give up.

Q. Do you have a favorite writing exercise that you can share?
A. Endings are hard for me. One thing I like to do to help is imagine what I want the reader to feel at the end of the book and then start writing different endings that would give that feeling.

Q. What are you working on now?
A. I am working on edits for the second Charlotte book, and the book I mentioned above, THE DRESS AND THE GIRL, to be illustrated by Julie Morstad that will be out Fall 2018. I'm also working a middle grade and a YA novel and I also have a few other projects in the works that I have my fingers crossed for.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
www.CamilleAndros.com
Twitter: @Camdros
Facebook: Camille Andros
Instagram: @camilleandros

BUNNY'S BOOK CLUB

January 23, 2017

Tags: BUNNY'S BOOK CLUB, Annie Silvestro, Tatjana Mai-Wyss, Doubleday Books for Young Readers, February 7, 2017

Annie Silvestro has worked as a magazine editor, convention consultant, and mother. And on February 7th, all of her hard work on her first picture book will pay off when it is displayed in bookstores. Inspired by her costume in a preschool show, BUNNY'S BOOK CLUB is "a love letter to the pleasures of reading and libraries" (School Library Journal)

Q. Was BUNNY'S BOOK CLUB the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. I had written many stories before Bunny. The very first was called LANCE THE LION, about a very vain but lonely lion who opens a hair salon in his cave. The story is locked away in a very deep drawer – I laugh about it now, but it will always have a place in my heart because it’s the idea that got me started as a writer.

Q. What inspired BUNNY'S BOOK CLUB?
A. Every year at the preschool my kids attended, the parents put on a show for the students. My first year in the show, I had a part as a bunny. I looked so ridiculous in my full-on bunny costume, I started brainstorming crazy things a bunny would do. One of those ideas planted the seed for BUNNY’S BOOK CLUB.

Q. How did you pick the title of your book?
A. My fantastic editor at Doubleday Books for Young Readers, Frances Gilbert, suggested the title after we went through a few rounds of edits and the original title no longer fit.

Q. What is your favorite part of the book? And was that part in the first draft?
A. I think my favorite part is when Porcupine confronts Bunny about what he’s been up to and Bunny tells him about books and the library for the first time. A form of that scene was in the first draft. I also like when the animals get busted by the librarian.

Q. How did you decide between telling the story in first or third person? 
A. I generally feel more comfortable writing in the third person – though I hope to spread my wings one of these days!

Q. How much of the story did you know when you began writing BUNNY'S BOOK CLUB? 
A. The theme of the story and Bunny’s love of books were always central. I knew how the story was going to end up, but the “how” changed quite a bit over the course of many revisions.

Q. Did BUNNY'S BOOK CLUB receive any rejection letters? If so, how many (ballpark)?
A. Yes! I had a good number of rejections. I am grateful that my amazing agent, Liza Voges, saw its potential and that my editor was willing to take a chance on it!

Q. Describe your reaction when you received an offer on BUNNY'S BOOK CLUB.
A. Screaming. Lots and lots of happy screaming! I was in the car on a road trip with my family. I may have frightened my children (briefly).

Q. What kind of input did you have in choosing an illustrator for the book? 
A. The team at Doubleday chose Tatjana Mai-Wyss and I was over-the-moon when I heard. I am in love with her beautiful and charming illustrations!

Q. What jumped out at you when you saw the first sketches and jacket cover?
A. I was beyond thrilled. Bunny and his friends are so adorable and each has his or her own unique personality. The porcupine hugging the book absolutely steals my heart. I adore the final spread and the cover is so bright and happy, it makes me smile every time I see it.

Q. How long did BUNNY'S BOOK CLUB take to be published—from the time you received an offer until it was printed?
A. Three years.

Q. What is your #1 tip to those who want to write picture books?
A. Join the SCBWI! I owe so much to this incredible organization – I can’t say enough positive things about it. Otherwise, read as much as you can and write as much as you can.

Q. Do you have a favorite writing exercise that you can share?
A. My favorite and most necessary exercise is reading a story out loud so I can really hear the areas that are working and the ones that are not.

Q. What are you working on now?
A. I have a few picture books ideas that I’m working through, and I’m also tackling a chapter book which I’m really excited about.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
A. Please find me on my website: www.anniesilvestro.com or on Twitter and Instagram, @anniesilvestro