What inspired their stories? How did they pick the titles? What did they do when they received an offer on their #firstpicturebook? In this weekly Q&A, writers share their experiences and tips. This week's interview is with JOY KELLER!


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JABARI JUMPS

May 9, 2017

Tags: JABARI JUMPS, Gaia Cornwall, Candlewick, 2017

Illustrator Gaia Cornwall's work has been featured online, in interactive games, in films, as murals, and in various forms of print. But today is her book birthday! Let's celebrate with the #firstpicturebook Q&A of JABARI JUMPS—"A terrific seasonal storytime read-aloud that’s perfect for one-on-one sharing." (Starred review, School Library Journal)

Q. Was JABARI JUMPS the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. Ah no! I've written tons and tons of picture book manuscripts. I don't remember which was the first one exactly. Though I just re-worked and submitted a book idea that originally I had written and illustrated almost ten years ago. It never felt quite right, so I put it aside. I really like this version of it!

Q. What inspired JABARI JUMPS?
A. Originally, I started writing when African-American Olympic medalist swimmer Cullen Jones was winning tons of medals and awards. He's really amazing and now works with a swimming initiative "Make a Splash", that teaches kids how to swim. But personally, I've always loved to swim and remember clearly learning to jump off the diving board. I try to write stories about moments that are relatable to kids and that one stuck out for me.

Q. How did you pick the title of your book?
Once I had the name of my character-- Jabari-- adding "Jumps" seemed like a natural fit as that's the book in a nutshell. I feel like naming books is usually trickier, but in this case it came pretty easy.

Q. Do you write by hand or on the computer?
A. Hmm. Well I tend to gather ideas mostly in a notebook-- a sketch, or a phrase I like. I've also started using my phone for this. But then I do a lot of typing on the computer. And then more scribbling. I guess I go back and forth a lot!

Q. What is your favorite part of the book? And was that part in the first draft?
A. My favorite part is when he looks out on the city and whispers that he likes surprises. Technically, it wasn't in the first draft of the book-- though that was a very different book. Once I overhauled that and created the version that became this book, it was in the first draft of that for sure.

Q. How did you select the names for your characters?
A. The only character that's named is Jabari. I'm not totally sure where I first heard it. But it means "brave" in Swahili, so it seemed perfect for him.

Q. Why did you decide to tell the story in third person?
A. I did versions of it in first person and in the end I liked the rhythm of how it sounded out loud in third person. But also it let the dad be a character in his own right as opposed to seeing him through Jabari's eyes-- as you would in first person. I think this way, adults will find him relatable, just like the kids will see themselves in Jabari.

Q. How much of the story did you know when you began writing JABARI JUMPS?
A. The first versions were very simple--basically a visual gag of a kid putting on more and more gear before he jumped off the diving board. I still think that idea is funny, but I'm happy it developed into something more than that.

Q. Did you write the story first, then illustrate it? Or did the images appear before the words?
A. I think in this case, I mostly wrote it first. Though it started with the basic image of a boy on the diving board. This is actually hard for me to answer--I think visually too, so even if I'm not actually drawing first, the images are there. If that makes sense.

Q. Did JABARI JUMPS receive any rejection letters? If so, how many (ballpark)?
A. I think eight. --Which is not a lot by any means! But honestly, that's because it took me literally years to submit it and I had some good contacts when I finally did. I just checked and I had drafts of this in 2010. Which is ridiculous. Don't do that.

Q. Describe your reaction when you received an offer on JABARI JUMPS.
A. I was nursing my son who was a baby at the time. I burst into tears and then the laughing started. So lots of tearful laughter.

Q. How long did JABARI JUMPS take to be published—from the time you received an offer until it was printed?
A. I signed a contract in 2014 and originally it was slated to come out in June 2016. It got pushed back to May 2017, which at the time was disappointing, but in reality worked perfectly as I ended up having another baby in the Spring of 2016. So a human baby last year and a book baby this year. One baby at a time!

Q. Was there a part that you really loved but had to edit out? Or did you think of something later that you wanted to add?
A. One version compared how Jabari was feeling to different animals. In the end, I took them all out because it kind of diluted the story. It was a good call, but its always sad to take animals out-- they're so fun to draw!

Q. What is your #1 tip to those who want to write picture books?
A. Hmm I have two:
1. READ. Read, read, read all the picture books you can get your hands on. Old ones are great, but if you want to submit your work to traditional publishers, you should be reading current books. Someone once said you should read 100 books in whatever genre you want to write in. So at least that many for picture books!

2. And find a critique group to show your work to. This is not easy to do--you have to trust them, value their judgement and you know, they have to be able to critique your work--not just tell you it's great. But don't give up! It doesn't matter if its online or in person, once you find them, those people are so invaluable.
My group offers great technical notes and ideas, are amazing cheerleaders, and also hold me accountable to my personal writing goals. I sincerely would not be where I am today without them.

Q. Do you have a favorite writing exercise or marketing tip that you can share?
A. Join SCBWI and then take advantage of the smaller workshops and conferences. Personally, I've gotten way more out of weekend writing workshops and state/regional conferences. People tend to just get excited about the national conferences, but for me the smaller events are where its at.

Q. What are you working on now?
A. I'm finishing up a first draft of a middle grade novel, working on a few different picture book manuscripts and kicking around a YA idea.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
A. You can find me at www.GaiaCornwall.com
https://www.instagram.com/gaiacornwall/
https://twitter.com/GaiaCC
https://www.facebook.com/GaiaIllustration/
Thanks for having me!

GRANDMOTHER THORN

May 1, 2017

Tags: GRANDMOTHER THORN, Katey Howes, Rebecca Hahn, Ripple Grove Press, August 29, 2017

After spending ten years as a physical therapist specializing in brain injury rehabilitation, Katey Howes turned her attention to becoming a children’s author. She is a team member of All the Wonders website and writes a popular blog, kateywrites. And come August—her #firstpicturebook will be published by Ripple Grove Press! Thank you Katey for giving us a peek into the process:

Q. Was GRANDMOTHER THORN the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. I’ve written a lot of short stories and poems over the years, but I really began writing picture book manuscripts in 2014, when I decided to quit my job as a physical therapist and focus on a writing career. GRANDMOTHER THORN was the third picture book manuscript I felt was “ready to polish,” though there were dozens of false starts and ideas that never made it to that stage. The first manuscript I felt was polished enough to submit was rejected by a few agents as “too quiet for the market” and sat in a drawer for a few years. I’m reworking it right now with the help of my critique group and agent. And that second manuscript was the beginnings of what is now MAGNOLIA MUDD AND THE SUPER JUMPTASTIC LAUNCHER DELUXE, which is being published by Sterling in Fall 2017. Back then, I called it Julia Mudd Won’t Wear That Dress. What a difference a few years makes!

Q. What inspired GRANDMOTHER THORN?
A. Great question! I have a small yard here in New Jersey, especially when compared to the open space I was accustomed to when I lived in the Midwest. To make the most of it, my husband and I planted raspberry and blackberry bushes in a narrow, sandy garden bed (about 18 inches wide and 6 feet long) between the back wall of the house and the stone patio. Well, the bushes must have liked it, because they grew like crazy! In a little over a year, the blackberry bush stretched almost 13 feet tall, and the raspberry bushes were trying to take over my patio. In an epic attempt to battle them into submission against a trellis, I got poked by one thorn too many and yelled “sooner or later, everything meets its match!” I was not entirely sure whether I was talking about the bush, or myself, but the idea for GRANDMOTHER THORN took root in that moment.

Q. How did you pick the title of your book?
A. I knew the theme I wanted for the book early on – but not where or when it would be set, or even a lot about the main characters. I wrote it many different ways, draping settings and voices around my theme to see what fit best. When I set it in a small Japanese village, inspired by the artistry of Japanese gardens, Grandmother Thorn practically wrote herself into the tale. I knew very quickly that her struggle and growth would be the heart of the story, and therefore the title.

Q. What is your favorite part of the book? And was that part in the first draft?
A. I love the image of Grandmother Thorn as she follows her one friend, Ojiisan, along the pebbled path from her door, smoothing out stones disrupted by his twisted foot. This early glimpse into her need for order, and her willingness to allow order to be disrupted – for a short time – for the sake of her friend, has always seemed poignant to me. The detail was not part of early drafts, but evolved over time as I changed the characters slightly to both challenge and complement one another.

Q. How did you select the names for your characters?
A. At first, I wanted to use Japanese names for the characters – perhaps something that would literally translate to “Grandmother Thorn” and “Limping Man.” Our fairy tales and folk tales have such a tradition of these type of names – like Little Red Riding Hood and Cinderella, for example - and I felt it would lend to the folktale tone. After several conversations with native speakers of Japanese, hearing their thoughts on how the translations could be misconstrued, and realizing that for the average picture book reader they might also be difficult to pronounce, I decided to use names that would be simpler and easy to say.

Q. How did you decide whether to tell the story in first or third person?
A. I never considered writing this story in first person, as I really wanted to be able to look in on Grandmother’s world from the outside.

Q. How much of the story did you know when you began writing GRANDMOTHER THORN?
A. As I mentioned before, I knew the theme I wanted to explore – that of balancing chaos and control - and the vehicle – a garden – that I wanted to use to create the story. But the specific characters and twists and turns of the plot evolved through a lot of exploration and many very different drafts.

Q. Did GRANDMOTHER THORN receive any rejection letters? If so, how many (ballpark)?
A. Oh, yes! I received at least ten very nice rejection letters for GRANDMOTHER THORN before getting the incredibly exciting call from Rob Broder of Ripple Grove Press. Most of the rejections claimed to love the lyricism and symbolism of the story, but said that it would be a tough sell in the current market because it was “quiet.” Several agents who read GRANDMOTHER THORN asked to see other works from me.

Q. Describe your reaction when you received an offer on GRANDMOTHER THORN.
A. I was pretty much in shock! I was actually out on my back patio, right next to the devilish berry bushes that started it all, when I received the call from Ripple Grove Press. Rob Broder told me that they had read the manuscript “at least a dozen times” and never grew tired of it, and that that was the quality they looked for in books they made. I remember getting teary-eyed as I realized that someone else connected with GRANDMOTHER THORN the way I did.

Q. What kind of input did you have in choosing an illustrator for the book?
A. Ripple Grove Press is wonderful in the way they respect the artistic vision of both the author and the illustrator. I was asked to provide links to images or portfolios that represented my vision of the book. Once the illustrator was selected, she took some time to build her own vision, and then asked if there were any images that had influenced me. I was able to share with her pictures of my berry bushes, as well as tell her how traditional woodblock prints (called ukiyo-e) by Japanese artist Hokusai helped me envision the story’s Shizuku village.

Q. What jumped out at you when you saw the first sketches and jacket cover?
A. The first glimpses of the illustrations blew me away. The intricacy of Rebecca Hahn’s work, and the way that she brought the garden to life – almost as a character in its own right – made my heart leap.

Q. How long did GRANDMOTHER THORN take to be published—from the time you received an offer until it was printed?
A. All told, it will be about 30 months to publication.

Q. What is your #1 tip to those who want to write picture books?
A. Read as many picture books as you can!

Q. Do you have a favorite writing exercise that you can share?
A. I constantly write ideas – whether it’s for a plot, a character name, a funny line of dialogue – on sticky notes and stick them up on the side of my bookcase next to my desk. When I feel stumped or blocked or uninspired, I grab a note – or maybe 2 or 3 – and see what I can make of them in 15 minutes.

Q. What are you working on now?
A. I’m revising a rhyming picture book manuscript and a middle grade novel, as well as drafting a picture book full of mythological creatures.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
A. My author website is a great place to start: www.kateyhowes.com! I’m active on Twitter @kateywrites and on Instagram @kidlitlove. You’ll also find me at All The Wonders, where I help readers journey beyond the book, and as a member of Picture the Books, a website featuring authors with 2017 debut picture books.

DADDY DEPOT

April 3, 2017

Tags: DADDY DEPOT, Chana Stiefel, Andy Snair, Feiwel & Friends, May 16, 2017

Chana Stiefel is the author of more than 20 nonfiction books for kids (topics range from exploding volcanoes to stinky castles). But next month Feiwel & Friends will publish her #firstpicturebook DADDY DEPOT—a story she wrote eight years ago!

Q. Was DADDY DEPOT the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. My first manuscript was called THE SNUGGLE FAMILY, a picture book about a family who never gets out of bed. Throughout the week, they have a Board meeting, play group, a tea party, a baseball game, and ultimately a wedding…in bed. I think I sent it to one publisher, got one rejection, and was completely discouraged. Once a year I go back to it to try to revise it. But I like the original, even though it’s far from perfect. It just makes me smile.

Q. What inspired DADDY DEPOT?
A. A bedtime story! My daughter was upset with my husband about something and I said, “Let’s return him to the Daddy store!” We made up a story about a girl who returns her father to the Daddy Depot. After bedtime, I ran downstairs and wrote my first draft. That was in 2009.

Q. How did you pick the title of your book?
In my mind, the Daddy store looked like Home Depot, with aisle after aisle of dads up for grabs. DADDY DEPOT seemed like a perfect fit. Also my favorite English teacher used to say, “A little alliteration let’s the lesson linger longer.”

Q. What is your favorite part of the book? And was that part in the first draft?
A. Ooh, that’s a tough one. One of my favorite scenes is when Lizzie, my MC, rolls her dad into her red wagon and drags him all the way to DADDY DEPOT. She’s tough, she’s strong, and she’s determined. It’s about empowerment—taking charge of your problem. This scene was definitely not in my first draft. In fact, her mom drove her to Daddy Depot! When I started writing, I didn’t have a clue about writing picture books. The first draft was 1,000 words and it rhymed…badly. It had too many characters, no conflict, and no climax. I had a lot to learn.

Q. Why did you decide to tell the story in third person? 
A. I guess that’s what came naturally.

Q. How much of the story did you know when you began writing DADDY DEPOT? 
A. I had the basic idea but I went through dozens of revisions. DADDY DEPOT was the manuscript that I shaped and re-shaped while learning the ropes of picture-book writing.

Q. Did DADDY DEPOT receive any rejection letters? If so, how many (ballpark)?
A. I had sent it out to a few editors (and got a bunch of rejections) before I met my agent, John Cusick. When he submitted DADDY DEPOT, it sold pretty quickly to Feiwel & Friends. I think we got about 10 rejections in all.

Q. Describe your reaction when you received an offer on DADDY DEPOT.
A. I remember getting a call from John when I was at the Recycling Center. I was screaming in my car. It was that moment of realization that my lifelong dream was coming true.

Q. What kind of input did you have in choosing an illustrator for the book? 
A. My editor was open to our suggestions, and I had a pretty long A-list. The publisher chose Andy Snair and I loved his work. I think the illustrations turned out great.

Q. What jumped out at you when you saw the first sketches and jacket cover?
A. My eyeballs jumped out of my head. My book was real! This was really happening. I will say that I had a strange sensation seeing Lizzie for the first time. When you create a character and live with her for a long time, you picture her in your head. Then an illustrator imagines her in an entirely different way. It’s a bit jarring…but then it’s wondrous. Now my Lizzie is Andy’s Lizzie (and everybody else’s too).

Q. How long did DADDY DEPOT take to be published—from the time you received an offer until it was printed?
A. I got the offer in November 2013 and the book debuts May 16, 2017. (Its original pub date was 2016. Apparently, this happens often.) All in all, eight years from first draft to bookstores.

Q. What is your #1 tip to those who want to write picture books?
A. Never, ever give up. If publishing a picture book is your dream, do everything you can to learn about the process, join a critique group, write & revise, explore the market, read 1,000 picture books, network with other authors, query, submit, and start again. Be positive, be persistent, be professional. And never, ever give up.

Q. Do you have a favorite writing exercise that you can share?
A. Actually exercise is my writing exercise. I come up with some of my best ideas—and solve lots of writing problems—while swimming laps. Sometimes you just have to get away from your computer and get your blood moving.

Q. What are you working on now?
A. I’m writing a non-fiction book for National Geographic Kids about creepy animals. I’m also revising my first picture book biography, which I’m really excited about.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
A. My web site: www.chanastiefel.com.
Twitter: @chanastiefel
My blog: kidlittakeaways.com
Facebook: Chana Stiefel
Thanks so much for having me! Keep in touch!

LONG MAY SHE WAVE

March 20, 2017

Tags: Long May She Wave: The True Story of Caroline Pickersgill and Her Star-Spangled Creation, Kristen Fulton, Holly Berry, Margaret K. McElderry Books, May 2, 2017

Kristen Fulton began writing children's books in 2013 and a year later she had sold three manuscripts! Today she shares the story behind her #firstpicturebook LONG MAY SHE WAVE—“A strong look at women who up took up needle and thread to inspire a town, a man, and ultimately a nation” (Booklist).

Q. Was LONG MAY SHE WAVE the first picture-book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. No, actually is was the third that I sold. Of course I had written a few that didn’t sell. My two that sold before Long May She Wave were with Chronicle and Simon and Schuster. Chronicle had a vision and kept me a close part of the publishing process. The “ideal” illustrator was booked out so we decided to wait for him. It was worth it in the end. The other story with Simon and Schuster (same as Long May She Wave) was moved to 2018 instead as it needed a little more fine editing work.

Q. What inspired LONG MAY SHE WAVE?
A. My husband and I travel about six months a year in our RV, aka Chalet Fulton. On one of our many travels we stopped in Washington DC and saw the Star Spangled Banner. We decided to head over to Baltimore and tour the Flag House (where the flag was made). Piece by piece the story was revealed and I knew that I wanted to sew this one together. So, we set up camp for two weeks and I went into serious research mode.

Q. How did you pick the title of your book?
A. This was an easy one since it is based on the Flag.

Q. What is your favorite part of the book? And was that part in the first draft?
A. My favorite part is in the final and has been there since draft one. It is where I took words from the "Star Spangled Banner" and wove it into the story so readers could see them used in context.

Q. What kind of resources did you use in your research for LONG MAY SHE WAVE?
A. I visited the home. Pulled property records and censuses. I visited the Smithsonian. Spoke to several historians. I visited Ft. McHenry. Got primary resources from daily papers about the British marching to Washington and then on to Boston. I also got a letter from Caroline Pickergil’s daughter.

Q. How did you decide on where to start and end this nonfiction story?
A. I knew that this was going to be about one small part of history, not a biography, but about an event. So it was easy. I decided to start it and end it with the event.

Q. Did LONG MAY SHE WAVE receive any rejection letters? If so, how many (ballpark)?
A. No, except from my agent :-) She wasn’t crazy about it but Justin Chanda from Simon and Schuster had just contacted her to see all of my work so she included it and voila!

Q. Describe your reaction when you received an offer on LONG MAY SHE WAVE.
A. Vindicated? I have heard over and over that I haven’t paid my dues. I am still fairly new to writing. I began my writing career in January 2013. Even the head of my regional SCBWI felt that people would not give me credit as a writer since I haven’t “paid my dues.” Selling a third story on my one-year anniversary validated this career choice for me. I work at least 40 hours a week writing, attend two to four conferences and retreats, and participate in about two classes per year.

Q. What kind of input did you have in choosing an illustrator for the book?
A. I had none on this book. Although once the illustrations were done, they did listen to my opinion about historically inaccurate items.

Q. What jumped out at you when you saw the first sketches and jacket cover?
A. OMG—That is my book!!! I think the best moment was being told it was available for preorder on Amazon. I was surrounded by friends and they got to tell me. I was happy, cried, and an emotional wreck all at once.

Q. How long did LONG MAY SHE WAVE take to be published—from the time you received an offer until it was printed?
A. I sold the book in January 2014. 3 years and 4 months.

Q. What is your #1 tip to those who want to write picture books?
A. Think like a kid. Ask yourself, “What will a kid find interesting?” NOT, WHAT DO YOU THINK THEY WILL FIND INTERESTING.

Q. Do you have a favorite writing exercise that you can share?
A. I created a compass that I fill out. It is available for download on my website at http://www.kristenfulton.org/uploads/1/8/4/4/18447485/website_compass.pdf.

Q. What are you working on now?
A. I am working on a few I CAN READ series books for Harper, a series for Charlesbridge, and an adult novel.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
Twitter: @KristenFulton
Facebook: https://www.facebook.com/kristenfulton.net/?fref=ts
www.kristenfulton.com

CHARLOTTE THE SCIENTIST IS SQUISHED

March 6, 2017

Tags: CHARLOTTE THE SCIENTIST IS SQUISHED, Camille Andros, Brianne Farley, Clarion Books, March 14, 2017

E.M.T. Camille Andros is the oldest of seven kids, has six children of her own, and loves science. So it makes perfect sense that her #firstpicturebook would be CHARLOTTE THE SCIENTIST IS SQUISHED. But exactly how did she craft a book with "loads of charm methodically delivered" (Kirkus Reviews)? Read on to find out . . .

Q. Was CHARLOTTE THE SCIENTIST IS SQUISHED the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. No, Charlotte wasn't the first book I wrote. The first serious try at a PB manuscript is a book called THE DRESS AND THE GIRL that sold to ABRAMS about six months after Charlotte sold. It will be out in the Fall of 2018.

Q. What inspired CHARLOTTE THE SCIENTIST IS SQUISHED?
A. There were several inspirations for Charlotte. My husband comes from a very large family of ten children. All of those ten now have children of their own totaling over 65 grandkids. I am the oldest of seven kids and I have six children of my own, so there is always lots going on and sometimes we all feel the need to have our own space.

I also love science and want kids, especially girls, to know that science is awesome and it's ok to love it too.

Q. How did you pick the title of your book?
A. It came to me while I was in the shower--like all good ideas I have;)

Q. What is your favorite part of the book? And was that part in the first draft?
A. My favorite spread doesn't even have any words-it's the spread where Charlotte lands in outer space and is so thrilled to finally have her very own space. Having Charlotte go to space was always in the manuscript, but she wasn't Charlotte in the first draft. She was Seymour.

Q. How did you decide between telling the story in first or third person?
A. I wrote the book like I was telling the story to my own kids. First person wouldn't have made sense doing that.

Q. How much of the story did you know when you began writing CHARLOTTE THE SCIENTIST IS SQUISHED?
A. I wrote the first draft in one sitting and it was only 76 words. It evolved quite a bit from that first draft and, after a great SCBWI critique at a conference, the rest of Charlotte came to me pretty quickly. There were still lots of drafts ahead but it was mostly cleaning up the manuscript and making the story more focused.

Q. Did CHARLOTTE THE SCIENTIST IS SQUISHED receive any rejection letters? If so, how many (ballpark)?
A. Yes! Of course! Probably around two dozen or so from agents and then editors. But I wasn't really shopping Charlotte around as much as I was THE DRESS AND THE GIRL which was the first book I wrote and was more focused on initially.
That book got lots and lots of rejections, but each personalized rejection (they weren't all like that of course) and the feedback that came with it was so helpful in improving each manuscript.

Q. Describe your reaction when you received an offer on CHARLOTTE THE SCIENTIST IS SQUISHED.
A. I had just left the dentist when my agent called to tell me we had an offer on Charlotte--it was super exciting and I couldn't believe it was happening. Then I was even more surprised when we received three more offers on top of that first one. It sounds so cliche to say I was beyond thrilled to get that kind of response for my first book. The day my agent called with all of the final offers and asked if I was "sitting down" was kind of an out-of-body experience. I loved reading the stories of authors getting their first book deals or signing with an agent and now it was happening to me. It was very surreal.

Q. What kind of input did you have in choosing an illustrator for the book?
A. In an unusual turn of events my agent and I discussed pairing my manuscript with one of the RLM (Rodeen Literary Management-the agency that represents me) illustrators since I was new. Brianne Farley's style was perfect for Charlotte and I absolutely love what she has done to bring her to life. So lucky for me I kind of got to choose which doesn't happen very often:)

Q. What jumped out at you when you saw the first sketches and jacket cover?
A. That favorite spread I mentioned above really jumped out at me. I love the look of pure joy on Charlotte's face.

I didn't get to see the jacket cover until much later and it went through many different versions so I saw some a few before the final cover selected and loved them all. It's just so much fun to see a character that lives in your head come to life on the page.

Q. How long did CHARLOTTE THE SCIENTIST IS SQUISHED take to be published—from the time you received an offer until it was printed?
A. The offer for Charlotte was finalized in June of 2015. Charlotte will be out in the world on March 14, 2017, so just a couple months shy of two years.

Q. What is your #1 tip to those who want to write picture books?
A. Don't give up. The authors who are published are the ones who didn't give up.

Q. Do you have a favorite writing exercise that you can share?
A. Endings are hard for me. One thing I like to do to help is imagine what I want the reader to feel at the end of the book and then start writing different endings that would give that feeling.

Q. What are you working on now?
A. I am working on edits for the second Charlotte book, and the book I mentioned above, THE DRESS AND THE GIRL, to be illustrated by Julie Morstad that will be out Fall 2018. I'm also working a middle grade and a YA novel and I also have a few other projects in the works that I have my fingers crossed for.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
www.CamilleAndros.com
Twitter: @Camdros
Facebook: Camille Andros
Instagram: @camilleandros

BUNNY'S BOOK CLUB

January 23, 2017

Tags: BUNNY'S BOOK CLUB, Annie Silvestro, Tatjana Mai-Wyss, Doubleday Books for Young Readers, February 7, 2017

Annie Silvestro has worked as a magazine editor, convention consultant, and mother. And on February 7th, all of her hard work on her first picture book will pay off when it is displayed in bookstores. Inspired by her costume in a preschool show, BUNNY'S BOOK CLUB is "a love letter to the pleasures of reading and libraries" (School Library Journal)

Q. Was BUNNY'S BOOK CLUB the first picture book manuscript you ever wrote? If not, what was the first picture book you wrote and what happened to it?
A. I had written many stories before Bunny. The very first was called LANCE THE LION, about a very vain but lonely lion who opens a hair salon in his cave. The story is locked away in a very deep drawer – I laugh about it now, but it will always have a place in my heart because it’s the idea that got me started as a writer.

Q. What inspired BUNNY'S BOOK CLUB?
A. Every year at the preschool my kids attended, the parents put on a show for the students. My first year in the show, I had a part as a bunny. I looked so ridiculous in my full-on bunny costume, I started brainstorming crazy things a bunny would do. One of those ideas planted the seed for BUNNY’S BOOK CLUB.

Q. How did you pick the title of your book?
A. My fantastic editor at Doubleday Books for Young Readers, Frances Gilbert, suggested the title after we went through a few rounds of edits and the original title no longer fit.

Q. What is your favorite part of the book? And was that part in the first draft?
A. I think my favorite part is when Porcupine confronts Bunny about what he’s been up to and Bunny tells him about books and the library for the first time. A form of that scene was in the first draft. I also like when the animals get busted by the librarian.

Q. How did you decide between telling the story in first or third person? 
A. I generally feel more comfortable writing in the third person – though I hope to spread my wings one of these days!

Q. How much of the story did you know when you began writing BUNNY'S BOOK CLUB? 
A. The theme of the story and Bunny’s love of books were always central. I knew how the story was going to end up, but the “how” changed quite a bit over the course of many revisions.

Q. Did BUNNY'S BOOK CLUB receive any rejection letters? If so, how many (ballpark)?
A. Yes! I had a good number of rejections. I am grateful that my amazing agent, Liza Voges, saw its potential and that my editor was willing to take a chance on it!

Q. Describe your reaction when you received an offer on BUNNY'S BOOK CLUB.
A. Screaming. Lots and lots of happy screaming! I was in the car on a road trip with my family. I may have frightened my children (briefly).

Q. What kind of input did you have in choosing an illustrator for the book? 
A. The team at Doubleday chose Tatjana Mai-Wyss and I was over-the-moon when I heard. I am in love with her beautiful and charming illustrations!

Q. What jumped out at you when you saw the first sketches and jacket cover?
A. I was beyond thrilled. Bunny and his friends are so adorable and each has his or her own unique personality. The porcupine hugging the book absolutely steals my heart. I adore the final spread and the cover is so bright and happy, it makes me smile every time I see it.

Q. How long did BUNNY'S BOOK CLUB take to be published—from the time you received an offer until it was printed?
A. Three years.

Q. What is your #1 tip to those who want to write picture books?
A. Join the SCBWI! I owe so much to this incredible organization – I can’t say enough positive things about it. Otherwise, read as much as you can and write as much as you can.

Q. Do you have a favorite writing exercise that you can share?
A. My favorite and most necessary exercise is reading a story out loud so I can really hear the areas that are working and the ones that are not.

Q. What are you working on now?
A. I have a few picture books ideas that I’m working through, and I’m also tackling a chapter book which I’m really excited about.

Q. Where can people find you? (Website, Twitter, Facebook, etc.)
A. Please find me on my website: www.anniesilvestro.com or on Twitter and Instagram, @anniesilvestro